County Fence Bi-Annual
Travel & Tourism “Land as Muse,” a white on black drawing of a nude woman represented by farmer’s fields and the undulations of the landscape by Jules Octavian.

Gold-Diggers & Trophy Wives

Posted on

This week we’re talking Gold Diggers & Trophy Wives. I hope you enjoy the latest instalment from travel editor Rachael Boardman about the ongoing drama between her and Brenda.

Read more
Art & Culture Title card for article: Gregaro McKool’s Socialist Extravaganza featuring a white on black line-drawing of a woman in an eighties business suit looking like she’s spent the afternoon crawling through dense bush.

Gregaro McKool’s Socialist Extravaganza –or– An Exercise in Over-Confidence, Part Two

Posted on

This is Gregaro McKool coming to you from the County Fence Bi-Annual Skunkworks deep in the wilderness of Eastern Ontario and this week I’m back with more thoughts on art, why I do it, and what the hell I’m going to do with mine.

Read more
Napanee Correspondent Title card for article: Reason Greater Napanee is Greater #3: Real Men, by Brenda Hogg, featuring a drawing of the napanee town sign. Sign reads: Greater Napanee, Population 16,000, three interchanges, Greater for Many Reasons.

Reason Greater Napanee is Greater #3: Family Values

Posted on

Audio Version Here. Napanee is greater for many reasons and reason #3 is that we understand traditional family values. I just don’t understand why some people are so obsessed with desecrating all the work our ancestors put into civilizing this great land. When my dear mother was a girl society…

Read more
Art & Culture Title card for article: Gregaro McKool's Socialist Extravaganza. White on black line drawing of a dishevelled woman with a messy Edwardian pompadour haircut and a torn 70's skirt suit trying to keep her composure.

Gregaro McKool’s Socialist Extravaganza –or– An Exercise in Over-Confidence Part One

Posted on

County Fence has our very first feature-length script: Gregaro McKool’s Socialist Extravaganza —or— An Exercise in Over-Confidence.

Read more
Art & Culture Title card for Walter Liu's piece 'Art Versus Commerce.' Image is a white on black French-language Canadian five-hundred-dollar bill featuring semi-nude baroque portrait of a fertility goddess luxuriating in an orchard with a sickle and sheave of wheat.

Art Versus Commerce

Posted on

Once again we find Art Editor Walter Liu scratching his head as he wonders what makes someone an artist and why they’d want that in the first place.

Read more